Alexandra C M Ross recently completed a Post-Doctoral Research Fellowship at the Centre for Curating the Archive, Michaelis School of Fine Art, University of Cape Town. She read an honours law degree, followed by a Masters in Museum and Gallery Studies, a Master of Fine Art and a PhD in Curatorial Practice.
Read MoreMerete Røstad is a visual artist and curator working with publics, remembrance and archive. Her practice concerns the perception of our everyday exchange and experiences within our surroundings, one aspect of this being how we read the traces left behind.
Read MoreNew York painter Mark Roth’s work is focused on issues of extinction, rewilding, eco-grief, ethology and painting’s capacity as a tool for inquiry and solace.
Read MoreProfessor Mark Roughly is a Lecturer in 3D Digital Art at Liverpool School of Art and Design and a member of the Face Lab research group that explores faces and art-science applications. Mark trained as a medical artist, gaining his MSc in Medical Art from the University of Dundee, and specialises in visualising anatomy through 3D data acquisition, modelling and fabrication. His research focuses on the affordances that 3D digital technologies allow for both digital and haptic interaction with anatomical and cultural artefacts. He is the host of the art-science Liverpool LASER Talks (Leonardo Art Science Evening Rendezvous) and a Section Editor for the Journal of Visual Communication in Medicine.
Read MoreSteve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.
Read MoreLaurie Anne Roark
Projects Coordinator
Laurie Anne Roark is an archivist, editor, and arts worker. Interested in intersections of material culture and poetry, her research engages practices of collecting, artistic networks, and archival theory. Laurie comes to Transart as Projects Coordinator with attention to practices of organization and systems management.
Read MoreTereza Ruller (she/her) identifies as a mother, a communication designer, a researcher, and an educator. In her practice—The Rodina—Ruller investigates the performative and critical approach toward graphic design. Her transdisciplinary practice emphasizes the power of situation, playfulness, active spectatorship, and relations between human and nonhuman actors. Ruller’s work is deeply collaborative and consists of participatory events, spatial installations, virtual environments, and visual identities. Addressing critical issues of our time—such as ecological, social, and political crises—she seeks to develop collective shifts in perspective.
Read MoreGabriela Saenger Silva is an arts practitioner and researcher specialising in education and socially engaged practices. Socially engaged practices and community work Futurism Horticulture and food. She is a PhD candidate at the Exhibition Research Lab at Liverpool John Moores University.
Read MoreLorenzo Sandoval works as an artist and curator, and produces spatial devices that work as narrative machines. Since 2015, Sandoval runs The Institute for Endotic Research, which opened as a venue in 2018 in Berlin, co-directed by Benjamin Busch, and recently by Amouefa Amoussouvi too. His recent research deals with divergent genealogies of the connections between image production, textile making and computation.
Read MoreFrank Andrew Scott’s childhood was spent mostly outdoors, as he was born on the plains of Oklahoma, and raised in the mountains of Colorado. When the cameras transitioned from film to digital, he transitioned from painting to photography. He is now combining his lifelong love of being outdoors in the landscape and his extensive experience of working for the camera by photographing the dystopian environment of the Los Angeles River.
Read MoreAli Schwartz is a queer-feminist freelance artist, contact improvisation dancer, choreographer, performer, curator, activist and relationship therapist based in Leipzig, Germany. Motivated by visions of social, gender, climate and health justice, Ali is committed to embodied emancipatory practice
Read MoreAn independent curator, Luisa Santos holds a Ph.D in Culture Studies by the Humboldt & Viadrina School of Governance, in Berlin, and M.A. in Curating Contemporary Art by the Royal College of Art, in London. Luísa Santos is also a Researcher in Culture Studies / Artistic Studies, since 2019 at the CECC of the Universidade Católica Portuguesa. Between 2016 and 2019, she was Assistant Professor, with a Gulbenkian Professorship, at the Faculty of Human Sciences of the Universidade Católica Portuguesa.
Read MoreUsha Seejarim (b. South Africa) is a conceptual and socially engaged artist who uses found objects to communicate complex and simple ideas about the domestic position of women.
Read MoreMiriam Schaer is a Brooklyn-based interdisciplinary artist who uses artist books, garments, photography, installation and collage to explore feminine, social, and spiritual issues. She is represented in numerous collections, including the Alan Chasanoff Book Arts Collection at the Yale Museum, the Arts of the Book Collection at Yale’s Sterling Library, the Mata & Arthur Jaffe Collection: Book as Aesthetic Object at Florida Atlantic University, the Brooklyn Museum of Art, Harvard University, and the Sallie Bingham Center for Women’s History & Culture at Duke University.
Read MoreAlessandra Saviotti is a curator, art educator and cultural activist who lives in Amsterdam. She is a PhD researcher at Liverpool John Moores University and a member of Art Workers Italia.
Read MoreKim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.
Read MoreDawn Schultz is a movement artist and educator currently creating works out of Monmouth County, New Jersey (USA). In 2018 she founded the Movement Exploration Laboratory, to promote choreographic perspective in young artists and is the co-director of the Dance Department for the Visual and Performing Arts Program in Ocean Township Schools.
Read MoreAngela Vitovec aka Angela Schubot is a choreographer, dancer, teacher, movement researcher and bodyworker. She works between Berlin and Tkaronto with roots in Peru.
Read MoreDread Scott makes revolutionary art to propel history forward. He first received national attention in 1989 when his art became the center of controversy over its use of the American flag. President Bush (the first) declared his artwork “disgraceful” and the entire US Senate denounced it as they passed legislation to “protect the flag.” His work has been exhibited at the Whitney Museum of American Art, PS1/MoMA, the Brooklyn Museum, and at the DeBeyerd Center for Contemporary Art in the Netherlands.
Read MoreAnalia Segal graduated as a Graphic Designer from the University of Buenos Aires in 1985 and got a masters degree in Art from New York University in 2001. She studied at the Studio Arts Centers International in Florence, Italy from1989 to 1990 where I learnt how to use of different materials. Segal received the “Ann K. Meredith” Fellowship, granted by the Studio Arts Centers International of the Cleveland Institute of Art to work in Pietrasanta, Italy in 1989, Pollock Krassner Foundation grant in 2003, New York Foundation for the Arts fellowship in 2003.
Read More
