Posts tagged field recordings
Gilles Aubry
Gilles Aubry

Gilles Aubry is active at the intersection between sound and visual arts, experimental music and academic research. As an artist, he creates installations, films, performances and radio pieces exploring sonic materiality and listening processes in relation to affect, coloniality and power. His works have been presented at numerous international art exhibitions, film festivals, music venues, and radio shows, earning him two Swiss Art Awards (2012 and 2015) and a European Sound Art Prize in 2016.

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ALL 1 (a-b), TT 1 (a-b)Guest Userecology and environmental activism, memory, forgetting, trauma and the archive, new materialism, object-oriented ontology, post-nationalism, post-colonialism, sound, music, field recordings, composing, space and temporary architecture, artistic research methodology
Tracey Benson
Tracey Benson

Dr Tracey M Benson is an Australian based artist, academic and researcher. Her work focuses on issues related to belonging, place, wellbeing and pro environmental behaviour change. Specialising in online and screen based art, user experience design, locative media and site specific installation, her work has been extensively presented internationally in media arts festivals and exhibitions.

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ALL 1 (a-b), TT 1 (a-b)Guest Userart and social technologies, curatorial practices, ecology and environmental activism, home, nostalgia and the uncanny, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, sound, music, field recordings, composing, walking as an art practice, writing, curating, installation, video, augmented reality, virtual reality and performance, photography, print making
Ana Sánchez-Colberg
Ana Sánchez-Colberg

Ana Sánchez-Colberg is a Puerto Rican multidisciplinary artist based in Europe. She has been awarded Fellowships by the Swedish Research Council, Arts Council of England, British Council amongst others. She has also been a recipient of a National Endowment for the Arts Award in 2016 and the recipient of the highly coveted MAP Funding (USA) award in 2019, and multiple other awards and recognitions. She holds an MFA in Choreography from Temple University (Philadelphia, USA) and a PhD from Laban Centre London (CNAA validated).

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Guest (k-z)Guest Userart and social technologies, expanded studio practices, foreignness, otherness, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, new materialism, object-oriented ontology, peace, mediation and performative activism, sound, music, field recordings, composing, space and temporary architecture, walking as an art practice, movement practices, space design, video, audio design, 'new technology'/live stream, creative writing
Sean Clute
Sean Clute

Sean Clute is an interdisciplinary artist, composer and performer. Clute’s creations embrace hybridization of media and interactivity to explore forms of interdisciplinary expression. By developing custom software and hardware, Clute experiments with technologies and methodologies to construct audiovisual instruments, sensor-based interfaces and computer generative processes. Collaboration, a key element in his work, is employed through partnerships with choreographers, musicians, scientists, writers and artists.

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TT 2 (c-d), All 2 (c-e)Guest Userart and social technologies, expanded studio practices, experimental pedagogies, media and design, sound, music, field recordings, composing, rural noise and art, electronic art, interactivity, installation, performance
Freek Lomme

Freek Lomme works as professional curator and editor in the field of art, design and social practice since 2003. He is founding director of public gallery and publisher Onomatopee as well as a freelance curator, lecturer, moderator and writer.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, docufiction and creative writing, expanded studio practices, experimental pedagogies, home, nostalgia and the uncanny, language/image, media and design, memory, forge, trauma and the archive, peace, mediation and performative activism, post-colonialism, post-nationalism, publishing as an art practice, sound, music, field recordings, composing, space and temporary architecture
Andrew McNiven
Andrew McNiven

Andrew McNiven was born in Edinburgh in 1963 and studied Fine Art at Goldsmiths' College, graduating in 1987, a contemporary of many of the artists who rose to international prominence during the 1990s. He received his MA from Goldsmiths' in 1995. Since 1990 his work has been shown nationally and internationally by, amongst others: the Lisson Gallery, the Whitechapel Gallery, the Akademie der Kunst, Berlin, and the Neue Galerie, Dachau. Recent projects include ‘The First Night of Experimental Boredom’ at 222Lodge, Dordrecht (NL), ‘Visual Art by Verbal Means’ at Kunstal Rotterdam (NL); 'The Understanding Gaze': Perre Bourdieu/Andrew McNiven, White Box, Zeppelin University, Friedrichshafen, (DE). He completed an AHRC-funded, practce-led PhD at Northumbria University in 2011. Previously a lecturer at Edinburgh College of Art, he is currently Senior Lecturer in Visual Culture at Zeppelin Universität in Friedrichshafen, Germany.

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ALL 5 (m-p), TT 3 (e-n)Guest Usercuratorial practices, expanded studio practices, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, sound, music, field recordings, composing, space and temporary architecture, attention and perception, the senses, moving image, audio, photography, installation, curatorial practice
Steven Rowell
Steven Rowell

Steve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.

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ALL 6 (q-r), TT 4 (o-z)Guest Userart and social technologies, curatorial practices, ecology and environmental activism, expanded studio practices, experimental pedagogies, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, sound, music, field recordings, composing, space and temporary architecture, deep time, the uncanny valley, nonhuman sentience and agency
Jeff Thompson
Jeff Thompson

Jeff Thompson (b. 1982, Minneapolis/USA) is an artist, programmer, and educator based in the NYC area. Through code, sculpture, sound, and performance, Thompson's work physicalizes and gives materiality to otherwise invisible technological processes.

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TT 4 (o-z), ALL 7 (s-t)Guest Usercuratorial practices, expanded studio practices, liminal states, interstices, and spacetime, media and design, new materialism, object-oriented ontology, publishing as an art practice, robotics, sound, music, field recordings, composing, new media, digital art, creative programming, sound art, physical computing, electronics, data visualization, interactive media, net art, performance, book arts, sculpture
Giulia Vismara
Giulia Vismara

Giulia Vismara is an electroacoustic composer and researcher. She is mainly concerned with the organic nature of sound and the development of textures which combine concrete and synthetic elements. Her compositions range from electroacoustic and acousmatic composition to intermedial works and sound installation, sounds and music for theatre, performance and video art.

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TT 4 (o-z), ALL 8 (u-z)Guest Usernew materialism, object-oriented ontology, sound, music, field recordings, composing, space and temporary architecture