Posts tagged post-colonialism
Gilles Aubry
Gilles Aubry

Gilles Aubry is active at the intersection between sound and visual arts, experimental music and academic research. As an artist, he creates installations, films, performances and radio pieces exploring sonic materiality and listening processes in relation to affect, coloniality and power. His works have been presented at numerous international art exhibitions, film festivals, music venues, and radio shows, earning him two Swiss Art Awards (2012 and 2015) and a European Sound Art Prize in 2016.

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ALL 1 (a-b), TT 1 (a-b)Guest Userecology and environmental activism, memory, forgetting, trauma and the archive, new materialism, object-oriented ontology, post-nationalism, post-colonialism, sound, music, field recordings, composing, space and temporary architecture, artistic research methodology
Tracey Benson
Tracey Benson

Dr Tracey M Benson is an Australian based artist, academic and researcher. Her work focuses on issues related to belonging, place, wellbeing and pro environmental behaviour change. Specialising in online and screen based art, user experience design, locative media and site specific installation, her work has been extensively presented internationally in media arts festivals and exhibitions.

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ALL 1 (a-b), TT 1 (a-b)Guest Userart and social technologies, curatorial practices, ecology and environmental activism, home, nostalgia and the uncanny, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, sound, music, field recordings, composing, walking as an art practice, writing, curating, installation, video, augmented reality, virtual reality and performance, photography, print making
Michael Birchall
Michael Birchall

Michael Birchall holds a collaborative post with Tate Liverpool where he is curator of public practice, and Senior Lecturer in Exhibition Studies at Liverpool John Moores University. Previously he has held curatorial appointments at The Walter Phillips Gallery at The Banff Centre (Canada), The Western Front (Canada), and Künstlerhaus Stuttgart (Germany).

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ALL 1 (a-b), TT 1 (a-b)--curatorial practices, experimental pedagogies, post-nationalism, post-colonialism
Anna Gibbs
Anna Gibbs

Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.

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ALL 3 (f-h), TT 3 (e-n)--docufiction, creative writing, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, new genres in research writing
Freek Lomme

Freek Lomme works as professional curator and editor in the field of art, design and social practice since 2003. He is founding director of public gallery and publisher Onomatopee as well as a freelance curator, lecturer, moderator and writer.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, docufiction and creative writing, expanded studio practices, experimental pedagogies, home, nostalgia and the uncanny, language/image, media and design, memory, forge, trauma and the archive, peace, mediation and performative activism, post-colonialism, post-nationalism, publishing as an art practice, sound, music, field recordings, composing, space and temporary architecture
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Beth Weinstein
Beth Weinstein

Beth M. Weinstein (BFA Syracuse, MArch Columbia GSAPP, PhD UTasmania) is an architect, artist, educator and researcher. Recent solo and two-person exhibitions of her work include Performing Spatial Labour (2019, Plimsoll Gallery, Hobart), Palimpsest (2019, Un Lieu pour Réspirer, Les Lilas-Paris), States of Exception (2018, Cité Internationale des Arts/Jeu de Paume, 2018) and the 2015 and 2018 Arizona Biennials. She received the NY Architectural League’s Young Architect’s Award and has been awarded artist residencies through the Académie d'Architecture, the Cité Internationale des Arts (Paris), Bundanon Trust (New South Wales), and the Casa de Velazquez (Madrid).

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ALL 8 (u-z), TT 4 (o-z)Guest Userecology and environmental activism, foreignness, otherness, media and design, memory, forgetting, trauma and the archive, movement, dance, choreography, peace, mediation and performative activism, post-nationalism, post-colonialism, space and temporary architecture, critical spatial practice