Veronica Marina Fazzio Welf is an Artist, Educator, and Learner. From Buenos Aires, she now lives in South Florida, USA. Social Sculpture Practitioner.
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Danica Maier, an American-born artist and academic based in the UK, has a diverse background in painting, textiles, and drawing.
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Rosie Olang’ Odhiambo is a curator, bookmaker and artist based in Nairobi, Kenya. She is facilitating a session for the Trans Art residency in Nairobi
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Abbéy Odunlami Ph.D. (b. Abeokuta, Ogun State '82) is a Yoruba-Nigerian-American researcher, theorist, and educator/curator whose work investigates contemporary urban history and visual culture(s). His interdisciplinary practice challenges assumptions of history, culture, race, and conventions of display. Odunlami has worked with institutions such as the Sundance Film Festival, the Art Institute of Chicago, the Museum of Contemporary Art Detroit, and the Haus der Kulturen der Welt in Berlin.
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Lisa Osborn has maintained a studio since 1994. Her practice is dedicated to the subject of the figure and the medium of clay. She completed a practice-based PhD at Transart Institute in 2018 entitled 'Encountering Statues: Object Oriented Ontology And The Figure In A Sculptural Practice'. Her research remains focused on what happens when we encounter statues and what is revealed about us when that encounter is considered.
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Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.
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Diogo Passarinho is a Portuguese architect, and founder of D_P_S, a practice based in Berlin. D_P_S is a research-based design studio, founded in 2015, investigating how emotional contexts can be brought into shaping spatial memories.
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An Paenhuysen is a freelance writer, curator, and arts educator. She wrote her Phd about the cultural criticism of the Belgian avant-garde artists in the 1920s. As a post-doc An has been working on 1920s photography at Columbia University New York, UC Berkeley, and the Humboldt-University Berlin.
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Sascia Pellegrini’s expertise and research is in intermedia, and interdisciplinary arts, with a strong background in music composition and dance choreography: in his research he has a particular interest in the phenomenology of the act of performance and its implications upon interdisciplinary thinking and praxis.
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Arturo Delgado Pereira (PhD), also known as Chico Pereira, is a practicing filmmaker and academic living between Finland and Spain. Pereira’s film work combines experimental ethnographic methods, art as social practice and performative documentary, with a particular interest in rural and post-industrial areas.
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An Paenhuysen is a curator, art critic, writer and educator based in Berlin. Her curatorial career started at Hamburger Bahnhof - Museum of Contemporary Art, Berlin, in 2009, curating exhibitions of Paul Pfeiffer, Land Art and Valeska Gert.
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Born in Venezuela and based in Porto, Portugal with a background in theatre, Daniel Pinheiro has been exploring, among others, the concept of Telematic Art, using video as a tool and the internet as a platform, merging both languages into a single object of expression. In this field he aims at reflecting on the impact of technology on everyday life and the environment of the Internet as a reflection of a world where the abstract nature of this transmedia movement changes the notions of space, presence, privacy and identity.
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Simon Pope’s art practice is preoccupied with participatory art’s engagement with new materialism and concepts of the more-than-human.
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Dr Zoran Poposki, FRSA is a multi-award-winning transdisciplinary artist, filmmaker, and curator based in Hong Kong. Poposki explores cultural translation, liminality, identity, and public space through digital art (including AI and NFT art) combined with painting, drawing, photography, (post-digital) printmaking, performance art, video, film, curating, art education, and publishing.
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Ernesto Pujol is a queer eco-cultural worker in the post-democratic age of extinction. He socially choreographs durational performances as psychic portraits of peoples and places under threat. Pujol creates aesthetic, meditative, meditative experiences crafted with elements of walking and stillness, silence and minimal gestures.
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Abdullah Qureshi is a multidisciplinary artist, curator, and educator. Rooted in traditions of abstraction, he incorporates gestural, poetic, and hybrid methodologies to address autobiography, trauma, and sexuality through painting, filmmaking, and immersive events.
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Aisha Richards is an author, a practicing designer for over a decade and an academic activist. As breathe of practice evolves she applies intersectional social justice to everything she does. Founding Shades of Noir, The Centre for Race & Practice Based Social Justice her work has inspired and informed the full spectrum of creatives and educational practitioners across the UK.
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Dr. Carolina Rito is Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC), at Coventry University, UK; and leads the centre’s Critical Practices research strand. Carolina Rito is a researcher and curator whose work explores ‘the curatorial’ as an investigative practice, expanding practice-based research in the fields of curating, visual arts, visual cultures and cultural studies. In her work, Rito has been preoccupied with the notions of knowledge production in the field of the curatorial. This has meant that her interest resides on how practices – such as curating – produce new knowledge, or, in other words, produce a particular way of understanding the world.
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Merete Røstad is a visual artist and curator working with publics, remembrance and archive. Her practice concerns the perception of our everyday exchange and experiences within our surroundings, one aspect of this being how we read the traces left behind.
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Steve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.
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