Posts tagged forgetting
Gilles Aubry
Gilles Aubry

Gilles Aubry is active at the intersection between sound and visual arts, experimental music and academic research. As an artist, he creates installations, films, performances and radio pieces exploring sonic materiality and listening processes in relation to affect, coloniality and power. His works have been presented at numerous international art exhibitions, film festivals, music venues, and radio shows, earning him two Swiss Art Awards (2012 and 2015) and a European Sound Art Prize in 2016.

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ALL 1 (a-b), TT 1 (a-b)Guest Userecology and environmental activism, memory, forgetting, trauma and the archive, new materialism, object-oriented ontology, post-nationalism, post-colonialism, sound, music, field recordings, composing, space and temporary architecture, artistic research methodology
Tracey Benson
Tracey Benson

Dr Tracey M Benson is an Australian based artist, academic and researcher. Her work focuses on issues related to belonging, place, wellbeing and pro environmental behaviour change. Specialising in online and screen based art, user experience design, locative media and site specific installation, her work has been extensively presented internationally in media arts festivals and exhibitions.

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ALL 1 (a-b), TT 1 (a-b)Guest Userart and social technologies, curatorial practices, ecology and environmental activism, home, nostalgia and the uncanny, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, sound, music, field recordings, composing, walking as an art practice, writing, curating, installation, video, augmented reality, virtual reality and performance, photography, print making
Jean Marie Casbarian
Jean Marie Casbarian

Jean Marie Casbarian (b. Aberdeen, MD) is an interdisciplinary artist who works across photography, video, sound, writing and performance. She holds an MFA from Milton Avery School of Art at Bard College, New York (2000) and a BFA from the University of Colorado at Denver (1987). Her artistic practice lies in her interests around the reinterpretation of memory, personal fictions, migratory space and the essence of time. Along with exhibiting her works throughout the United States, Europe, Central America and Asia, Casbarian has received a number of awards and artist residencies including the Lower Manhattan Cultural Council, Louis Comfort Tiffany Foundation nomination, The LaNapoule Foundation Grant in LaNapoule, France, the Chicago Artist's Assistance Project Grant, an Associateship with The Rocky Mountain Women's Institute and has been a Research Associate with Five Colleges, Inc (Amherst, MA).

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TT 2 (c-d), All 2 (c-e)--docufiction and creative writing, expanded studio practices, experimental pedagogies, foreignness, otherness, international diaspora and exiled states, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, photography, video, writing, sound and performance, interdisciplinary installation
Ana Sánchez-Colberg
Ana Sánchez-Colberg

Ana Sánchez-Colberg is a Puerto Rican multidisciplinary artist based in Europe. She has been awarded Fellowships by the Swedish Research Council, Arts Council of England, British Council amongst others. She has also been a recipient of a National Endowment for the Arts Award in 2016 and the recipient of the highly coveted MAP Funding (USA) award in 2019, and multiple other awards and recognitions. She holds an MFA in Choreography from Temple University (Philadelphia, USA) and a PhD from Laban Centre London (CNAA validated).

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Guest (k-z)Guest Userart and social technologies, expanded studio practices, foreignness, otherness, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, new materialism, object-oriented ontology, peace, mediation and performative activism, sound, music, field recordings, composing, space and temporary architecture, walking as an art practice, movement practices, space design, video, audio design, 'new technology'/live stream, creative writing
Anna Gibbs
Anna Gibbs

Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.

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ALL 3 (f-h), TT 3 (e-n)--docufiction, creative writing, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, post-nationalism, post-colonialism, new genres in research writing
Laura Gonzalez
Laura Gonzalez

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

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ALL 3 (f-h), TT 3 (e-n)--docufiction and creative writing, expanded studio practices, foreignness, otherness, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, publishing as an art practice, walking as an art practice, interdisciplinary practice, performance, writing, painting, photography, installation, video
Carl Haase
Carl Haase

Carl Haase received a Bachelor’s Degree in Fine Arts from the Maine College of Art, Maine, US in 2001. In 2005 he completed a four-year apprenticeship in a letterpress studio in the Maine, US. Shortly thereafter, he founded and operated a silkscreen studio which specialised in fine art printing in conjunction with freelance design projects. Currently he is continuing this body of research as a PhD candidate at the University of Antwerpen’s ARIA (BE) program.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, expanded studio practices, language and image, media and design, memory, forgetting, trauma and the archive, publishing as an art practice, generative design
Michael Hirschbichler
Michael Hirschbichler

Michael Hirschbichler studied architecture at ETH Zurich and philosophy at Humboldt Universität zu Berlin and completed his doctoral dissertation on “Mythical Constructions” at Berlin University of the Arts (UdK). He lived and worked in various countries, such as the United States, Switzerland, Papua New Guinea, Italy, Azerbaijan and France and is currently based in Zurich and Munich.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, ecology and environmental activism, expanded studio practices, foreignness, otherness, home, nostalgia and the uncanny, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, space and temporary architecture
Andrew McNiven
Andrew McNiven

Andrew McNiven was born in Edinburgh in 1963 and studied Fine Art at Goldsmiths' College, graduating in 1987, a contemporary of many of the artists who rose to international prominence during the 1990s. He received his MA from Goldsmiths' in 1995. Since 1990 his work has been shown nationally and internationally by, amongst others: the Lisson Gallery, the Whitechapel Gallery, the Akademie der Kunst, Berlin, and the Neue Galerie, Dachau. Recent projects include ‘The First Night of Experimental Boredom’ at 222Lodge, Dordrecht (NL), ‘Visual Art by Verbal Means’ at Kunstal Rotterdam (NL); 'The Understanding Gaze': Perre Bourdieu/Andrew McNiven, White Box, Zeppelin University, Friedrichshafen, (DE). He completed an AHRC-funded, practce-led PhD at Northumbria University in 2011. Previously a lecturer at Edinburgh College of Art, he is currently Senior Lecturer in Visual Culture at Zeppelin Universität in Friedrichshafen, Germany.

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ALL 5 (m-p), TT 3 (e-n)Guest Usercuratorial practices, expanded studio practices, experimental pedagogies, language and image, memory, forgetting, trauma and the archive, sound, music, field recordings, composing, space and temporary architecture, attention and perception, the senses, moving image, audio, photography, installation, curatorial practice
Jason Bahbak Mohaghegh
Jason Bahbak Mohaghegh

Jason Bahbak Mohaghegh (Ph.D. Columbia University) is Associate Professor of Comparative Literature at Babson College teaching courses in world literature, philosophy, cultural studies, and visual art. He also holds a faculty position at the Institute for Doctoral Studies in the Visual Arts (IDSVA) and is Director of the Transdisciplinary Studies Program for the New Centre for Research & Practice.

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ALL 5 (m-p), TT 3 (e-n)Guest Usermemory, forgetting, trauma and the archive, language/image, international diaspora and post-colonialism, liminality, space/place, temporary architecture, foreignness, otherness and the uncanny, architecture and space, art and madness, art and the unreal, aesthetics of darkness/night, middle eastern art, avant-garde movements, philosophy and art, futuristic art, apocalyptic art, philosophy, poetry, literature, visual art and architecture, film, cultural studies, postcolonial studies, critical theory
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Steven Rowell
Steven Rowell

Steve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.

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ALL 6 (q-r), TT 4 (o-z)Guest Userart and social technologies, curatorial practices, ecology and environmental activism, expanded studio practices, experimental pedagogies, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, sound, music, field recordings, composing, space and temporary architecture, deep time, the uncanny valley, nonhuman sentience and agency
Valerie Walkerdine
Valerie Walkerdine

Valerie Walkerdine (PhD) is an artist and academic. As an academic she has taught, written and researched in the fields of critical psychology, affect studies, psychoanalysis, cultural studies, artistic practice and theory, social theory, class, gender and feminism, community and de-industruialisation and neoliberalism.

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ALL 8 (u-z), TT 4 (o-z), Alumni--ecology and environmental activism, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, language and image, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, co-created community based art practice, performance, feminist art practice, installation, film and video, photography, drawing, social practice/community engagement
Beth Weinstein
Beth Weinstein

Beth M. Weinstein (BFA Syracuse, MArch Columbia GSAPP, PhD UTasmania) is an architect, artist, educator and researcher. Recent solo and two-person exhibitions of her work include Performing Spatial Labour (2019, Plimsoll Gallery, Hobart), Palimpsest (2019, Un Lieu pour Réspirer, Les Lilas-Paris), States of Exception (2018, Cité Internationale des Arts/Jeu de Paume, 2018) and the 2015 and 2018 Arizona Biennials. She received the NY Architectural League’s Young Architect’s Award and has been awarded artist residencies through the Académie d'Architecture, the Cité Internationale des Arts (Paris), Bundanon Trust (New South Wales), and the Casa de Velazquez (Madrid).

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ALL 8 (u-z), TT 4 (o-z)Guest Userecology and environmental activism, foreignness, otherness, media and design, memory, forgetting, trauma and the archive, movement, dance, choreography, peace, mediation and performative activism, post-nationalism, post-colonialism, space and temporary architecture, critical spatial practice
Marwan Zouein
Marwan Zouein

Architect and Teacher, Marwan Zouein comes from a multicultural background from which he received an international and open minded education. He holds a DPLG from the school of Paris Belleville and a DEA in Architecture from the ETSAM (UPM, Madrid). As founding partner of the award winning spanish architecture office [casaleganitos], he has 15 years of experience in a wide range of projects either with [casaleganitos] or as a consultant for other firms and institutions in Europe and in the Middle East.

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TT 4 (o-z), ALL 8 (u-z)Guest Userecology and environmental activism, experimental pedagogies, home, nostalgia and the uncanny, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, space and temporary architecture, walking as an art practice