Don Handa is a curator living and working in Nairobi
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Ira Hoffecker is a German-Canadian artist who has resided and maintained her art practise in Victoria, Canada since 2004. She is an active member of the Federation of Canadian Artists.
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LAURA HICKS (she/they) is a queer feminist Canadian artist from Tkaronto (known as Toronto). Working as a choreographer, performer, and educator in the Frankfurt am Main area since 2013, she creates choreographic work for the stage, while also teaching in different contexts. Her interest is in sensory states, qualities and intensities explored through improvisation.
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Alex Grünenfelder is a Canadian and Swiss artist and designer studying the sensory and relational nature of landscapes. His projects employ performance, printed matter, informal pedagogy, and expanded sensory modalities of tasting.
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Luca Forcucci is an artist, composer, and scholar exploring the relationships between the sonic, consciousness, perception, experience, memory, and the body. His research and artworks are regularly presented worldwide and have won numerous national and international awards in well regarded contexts.
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Simon Faithfull is a contemporary artist whose work has been exhibited extensively around the world. His practice has been described as an attempt to understand and explore the planet as a sculptural object – to test its limits and report back from its extremities. Within his work Faithfull often builds teams of scientists, technicians and transmission experts to help him bring back a personal vision from the ends of the world.
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Robyn Ferrell is honorary professor of cultural studies at Sydney University, a visiting fellow at the Australian National University and member of the Coetzee Centre for Creative Practice at the University of Adelaide.
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Linda Franke was born in Dresden, Germany, and is based in Los Angeles. Her work engages with the constants of human life by staging situations in which our daily routines are being transformed into absurd Tableaux Vivants.
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Britta Fluevog is a third-generation-matriarchal artist; her grandmother was a printmaker, her mother is a mixed media artist, as well as her father, who is a shoe designer. Born in Vancouver, Canada, Estonian-Canadian Artist Britta Fluevog is currently living in Jülich, Germany. Fluevog’s art practice primarily uses weaving and ceramics to create sculpture, and performance pieces.
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Marie France Forcier is a Canadian choreographer, performer, writer and pedagogue of contemporary dance forms. She is the director of Forcier Stage Works and the co-director of ReLoCate . Through studio research, public performances, publications and community initiatives, she predominantly engages with the intersection between trauma studies, somatic practices and western contemporary choreography.
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Jewel Fraser works as an audio documentary producer building on and utilizing principles learned during her many years writing features as a journalist. She has embraced audio now as her preferred medium since it permits her to create stories that are more multi-sensory.
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Andrew Freiband is an artist, filmmaker, educator, producer, and research-artist. His praxis sits among the many intersections of art, education, media, film, journalism, literature, social impact, international development, research, and strategic design.
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Jenny Hawkinson is a social practice artist interested in the intersection of conflict engagement and contemporary art. In her practice, ‘artist’ and ‘advocate’ hold equal weight. After receiving a BA in Visual Art in 2010, she moved to Vancouver, BC to establish roots in the Downtown Eastside of Vancouver.
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Colin Fallows, Head of Research Degrees, Liverpool School of Art and Design, LJMU. Fallows’ research explores crossovers between sound and the visual arts, frequently investigating the conditions and potentialities of listening. As artist and curator, he has produced soundworks for live ensemble performance, recordings, exhibition, installation, radio and the Internet. His artistic and curatorial projects have featured in numerous international festivals, galleries and museums.
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Nola Farman studied sculpture at Ontario College of Art, Toronto, Canada, completing her MA and PhD at the University of Western Sydney. She is currently writing and producing artworks about the absurdity of contemporary life, using the art world as an exemplar.
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Jason File is an artist and international lawyer based between London, UK and New York, NY, where he is a studio holder at the Elizabeth Foundation for the Arts in Manhattan. He is a former United Nations war crimes prosecutor and lecturer at the Royal Academy of Art (KABK), Netherlands, who holds degrees in fine art from the Chelsea College of Arts, London, and the KABK. He also holds degrees in the humanities, social sciences, and law from Yale (1998), Oxford (2000) and Yale Law School (2004).
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Lucy Finchett-Maddock is an artist and academic at Sussex Law School, writing, researching and teaching in the fields of critical legal theory and speculative philosophy. She is one of the founders of the Art/Law Network and writes broadly on the themes of resistance, aesthetics, property, artificial divisions of art and law, and entropy.
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Borinquen Gallo is an artist and educator born in Rome, Italy who lives and works in NYC. She holds a B.F.A., from Cooper Union; an M.F.A. in Painting, from Hunter College, and is a Ed.D. candidate, at Teachers College, Columbia University. She is currently Visiting Assistant Professor of Art and Design Education at Pratt Institute and Instructor at the National Academy Museum and School where she was also appointed as Studio Practice Program Head, 2015-2016.
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Allison Geremia is a current professor of Art History at the University of Massachusetts and also a practicing jeweler. She received her Ph.D. at the University of Plymouth through Transart Institute. Her dissertation examined contemporary jewelry of the United States and its sociological implications. She received her Masters at Parsons in the History of Decorative Arts and Design at the Cooper-Hewitt, National Design Museum.
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Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.
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