Jason File is an artist and international lawyer based between London, UK and New York, NY, where he is a studio holder at the Elizabeth Foundation for the Arts in Manhattan. He is a former United Nations war crimes prosecutor and lecturer at the Royal Academy of Art (KABK), Netherlands, who holds degrees in fine art from the Chelsea College of Arts, London, and the KABK. He also holds degrees in the humanities, social sciences, and law from Yale (1998), Oxford (2000) and Yale Law School (2004).
Lucy Finchett-Maddock is an artist and academic at Sussex Law School, writing, researching and teaching in the fields of critical legal theory and speculative philosophy. She is one of the founders of the Art/Law Network and writes broadly on the themes of resistance, aesthetics, property, artificial divisions of art and law, and entropy.
Borinquen Gallo is an artist and educator born in Rome, Italy who lives and works in NYC. She holds a B.F.A., from Cooper Union; an M.F.A. in Painting, from Hunter College, and is a Ed.D. candidate, at Teachers College, Columbia University. She is currently Visiting Assistant Professor of Art and Design Education at Pratt Institute and Instructor at the National Academy Museum and School where she was also appointed as Studio Practice Program Head, 2015-2016.
Allison Geremia is a current professor of Art History at the University of Massachusetts and also a practicing jeweler. She received her Ph.D. at the University of Plymouth through Transart Institute. Her dissertation examined contemporary jewelry of the United States and its sociological implications. She received her Masters at Parsons in the History of Decorative Arts and Design at the Cooper-Hewitt, National Design Museum.
He Jin Jang is a multicity-based choreographer, researcher, dramaturg, curator and essayist, born and raised in Seoul, Korea. Jang has created, researched and written on the idea of & ‘choreography’; and & ‘living(surviving)’. As a female neurodivergent choreographer residing in South Korea, she is currently occupied with in her dance-making are questions like that of embodying resilience.
Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.
Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture.
Alden Jones holds degrees in Comparative Literature, Hispanic Studies, and Creative Writing from Brown University, New York University, and Bennington College. She is the author, most recently, of the hybrid memoir The Wanting Was a Wilderness. Her story collection, Unaccompanied Minors, won the New American Fiction Prize and was a finalist for a Publishing Triangle Award and a Lambda Literary Award.
Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.
Victoria Gray (PhD) is an artist and practice-led researcher, and has presented work nationally and internationally throughout the UK, Europe, USA and Canada. With an initial conservatoire training in dance and somatic practice (1998 - 2004), and a PhD in philosophy, her primary medium and material is the body.
Carles Guerra (Amposta, 1965) holds a PhD from Universitat de Barcelona. He studied at the Faculty of Fine Arts, Universitat de Barcelona and the Media Studies Department, The New School for Social Research. He has pursued a career in art criticism, teaching and research. His most recent profile has been associated with outstanding positions in the field of cultural management, cultural policies and curatorial activities.
Carolyn Guertin is a scholar-practitioner of new media. She is a Senior Researcher in the Augmented Reality Lab at York University in Toronto and is a faculty member in the MFA and PhD programs at Transart Institute in Berlin, Germany.
Carl Haase received a Bachelor’s Degree in Fine Arts from the Maine College of Art, Maine, US in 2001. In 2005 he completed a four-year apprenticeship in a letterpress studio in the Maine, US. Shortly thereafter, he founded and operated a silkscreen studio which specialised in fine art printing in conjunction with freelance design projects. Currently he is continuing this body of research as a PhD candidate at the University of Antwerpen’s ARIA (BE) program.
Khaled Hafez is born in Cairo, Egypt in 1963 where he currently lives and works. He studied medicine and followed the evening classes of the Cairo fine arts in the eighties. After attaining a medical degree in 1987 and M.Sc. as a medical specialist in 1992, he gave up medical practices in the early nineties for a career in the arts.
Tia Halliday B.F.A, B.Ed, M.F.A, Ph.D. (Candidate) is an internationally recognized artist, currently residing in Calgary, Alberta, Canada. Tia is also a tenured faculty member in the Department of Art & Art History at the University of Calgary where she is active in both Graduate and Undergraduate programs.
Fred Han is currently an Associate Professor at the School of System Design and Intellectual Manufacturing in the Southern University of Science and Technology in Shenzhen, China. Prior to his current position, he served as an Assistant Professor and Associate Professor at School of Design, The Hong Kong Polytechnic University for nine years.
Marc Herbst is an broadly interdisciplinary researcher, artist, editor/publisher and sometimes activist whose core experiences are built upon work on the Journal of Aesthetics & Protest he co-founded in Los Angeles in 2000. The journal describes itself as a 'weirdo archive' and his interests are culturally odd, relational, marginal and interested in the radical.
Kate Hilliard is an artist, curator and educator. She is the Creative Director at The Orillia Centre for Arts + Culture, fostering programming and residency opportunities for artists across disciplines. Over the years she has cultivated a teaching practice in her own community and in several institutions, including The Stella Adler Studio of Acting in NYC.
Victoria Hindley practices publishing as artistic practice. She is the Acquisitions Editor for Visual Culture and Design at the MIT Press (Cambridge, Massachusetts, USA and London, England). Her art practice includes internationally exhibited and featured artists' books, installations, and collaborative interventions.
Michael Hirschbichler studied architecture at ETH Zurich and philosophy at Humboldt Universität zu Berlin and completed his doctoral dissertation on “Mythical Constructions” at Berlin University of the Arts (UdK). He lived and worked in various countries, such as the United States, Switzerland, Papua New Guinea, Italy, Azerbaijan and France and is currently based in Zurich and Munich.
