Nicholas Phillips, Programme Leader Drama, DRAMA, Liverpool John Moores University
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Born in Venezuela and based in Porto, Portugal with a background in theatre, Daniel Pinheiro has been exploring, among others, the concept of Telematic Art, using video as a tool and the internet as a platform, merging both languages into a single object of expression. In this field he aims at reflecting on the impact of technology on everyday life and the environment of the Internet as a reflection of a world where the abstract nature of this transmedia movement changes the notions of space, presence, privacy and identity.
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Simon Pope’s art practice is preoccupied with participatory art’s engagement with new materialism and concepts of the more-than-human.
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Dr Zoran Poposki, FRSA is a multi-award-winning transdisciplinary artist, filmmaker, and curator based in Hong Kong. Poposki explores cultural translation, liminality, identity, and public space through digital art (including AI and NFT art) combined with painting, drawing, photography, (post-digital) printmaking, performance art, video, film, curating, art education, and publishing.
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Ernesto Pujol is a queer eco-cultural worker in the post-democratic age of extinction. He socially choreographs durational performances as psychic portraits of peoples and places under threat. Pujol creates aesthetic, meditative, meditative experiences crafted with elements of walking and stillness, silence and minimal gestures.
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Susie Quillinan is the Head of Masters Studies at Transart Institute, as well as a learner and curatorial researcher based in Lima, Peru. She develops publications, residencies, encuentros, exhibitions and study programming interdependently with artists, curators, researchers, collectives, places, institutions and other learners. Her current research focuses on practices of collective reading and study, weaving as methodology and a curatorial ethics of accompaniment.
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Dr. Carolina Rito is Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC), at Coventry University, UK; and leads the centre’s Critical Practices research strand. Carolina Rito is a researcher and curator whose work explores ‘the curatorial’ as an investigative practice, expanding practice-based research in the fields of curating, visual arts, visual cultures and cultural studies. In her work, Rito has been preoccupied with the notions of knowledge production in the field of the curatorial. This has meant that her interest resides on how practices – such as curating – produce new knowledge, or, in other words, produce a particular way of understanding the world.
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Deborah Robinson is an artist and Associate Professor (Reader) in Contemporary Art at Plymouth University where she co-ordinates the ARC (Arts Research Collective) research group. Trained as a painter, Robinson earned a doctorate degree from Plymouth University in 2003, writing her dissertation on ‘The Materiality of Text and Body in Painting and Darkroom Processes: An Investigation Through Practice,’ which engaged with feminist and psychoanalytic theory.
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Alexandra C M Ross recently completed a Post-Doctoral Research Fellowship at the Centre for Curating the Archive, Michaelis School of Fine Art, University of Cape Town. She read an honours law degree, followed by a Masters in Museum and Gallery Studies, a Master of Fine Art and a PhD in Curatorial Practice.
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Merete Røstad is a visual artist and curator working with publics, remembrance and archive. Her practice concerns the perception of our everyday exchange and experiences within our surroundings, one aspect of this being how we read the traces left behind.
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New York painter Mark Roth’s work is focused on issues of extinction, rewilding, eco-grief, ethology and painting’s capacity as a tool for inquiry and solace.
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Professor Mark Roughly is a Lecturer in 3D Digital Art at Liverpool School of Art and Design and a member of the Face Lab research group that explores faces and art-science applications. Mark trained as a medical artist, gaining his MSc in Medical Art from the University of Dundee, and specialises in visualising anatomy through 3D data acquisition, modelling and fabrication. His research focuses on the affordances that 3D digital technologies allow for both digital and haptic interaction with anatomical and cultural artefacts. He is the host of the art-science Liverpool LASER Talks (Leonardo Art Science Evening Rendezvous) and a Section Editor for the Journal of Visual Communication in Medicine.
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Steve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.
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Lorenzo Sandoval works as an artist and curator, and produces spatial devices that work as narrative machines. Since 2015, Sandoval runs The Institute for Endotic Research, which opened as a venue in 2018 in Berlin, co-directed by Benjamin Busch, and recently by Amouefa Amoussouvi too. His recent research deals with divergent genealogies of the connections between image production, textile making and computation.
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Ana Sánchez-Colberg is a Puerto Rican multidisciplinary artist based in Europe. She has been awarded Fellowships by the Swedish Research Council, Arts Council of England, British Council amongst others. She has also been a recipient of a National Endowment for the Arts Award in 2016 and the recipient of the highly coveted MAP Funding (USA) award in 2019, and multiple other awards and recognitions. She holds an MFA in Choreography from Temple University (Philadelphia, USA) and a PhD from Laban Centre London (CNAA validated).
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An independent curator, Luisa Santos holds a Ph.D in Culture Studies by the Humboldt & Viadrina School of Governance, in Berlin, and M.A. in Curating Contemporary Art by the Royal College of Art, in London. Luísa Santos is also a Researcher in Culture Studies / Artistic Studies, since 2019 at the CECC of the Universidade Católica Portuguesa. Between 2016 and 2019, she was Assistant Professor, with a Gulbenkian Professorship, at the Faculty of Human Sciences of the Universidade Católica Portuguesa.
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Miriam Schaer is a Brooklyn-based interdisciplinary artist who uses artist books, garments, photography, installation and collage to explore feminine, social, and spiritual issues. She is represented in numerous collections, including the Alan Chasanoff Book Arts Collection at the Yale Museum, the Arts of the Book Collection at Yale’s Sterling Library, the Mata & Arthur Jaffe Collection: Book as Aesthetic Object at Florida Atlantic University, the Brooklyn Museum of Art, Harvard University, and the Sallie Bingham Center for Women’s History & Culture at Duke University.
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Kim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.
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Dread Scott makes revolutionary art to propel history forward. He first received national attention in 1989 when his art became the center of controversy over its use of the American flag. President Bush (the first) declared his artwork “disgraceful” and the entire US Senate denounced it as they passed legislation to “protect the flag.” His work has been exhibited at the Whitney Museum of American Art, PS1/MoMA, the Brooklyn Museum, and at the DeBeyerd Center for Contemporary Art in the Netherlands.
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Analia Segal graduated as a Graphic Designer from the University of Buenos Aires in 1985 and got a masters degree in Art from New York University in 2001. She studied at the Studio Arts Centers International in Florence, Italy from1989 to 1990 where I learnt how to use of different materials. Segal received the “Ann K. Meredith” Fellowship, granted by the Studio Arts Centers International of the Cleveland Institute of Art to work in Pietrasanta, Italy in 1989, Pollock Krassner Foundation grant in 2003, New York Foundation for the Arts fellowship in 2003.
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