James Charlton
James Charlton is a second-generation New Zealand Post-object Artist whose work includes video, object-based sculpture, stereo-lithography, installation, robotics, interactive screen-based and performance work. He lectures in sculpture, post-material practices and interactive installation, at Auckland University of Technology.
Recent projects include: Thrown, (Te Uru Gallery, Auckland, NZ, 2020), Rebound,(KARST, Plymouth, UK, 2017), Catch|Bounce, (LJMU, Liverpool ,2017), Three Action in 56 Bytes, (Berlin, 2014), Waiting event: 64 bytes, ( Lisbon, 2014), Body Tok Quintet, (NZ, with Dadson, ongoing since 2012 ), iForm, (Boras, 2011), Inside Out, (AUS, UK).
Recent publications include: Pocket-calls: Point(s) of Contact between Art Practice and Philosophy (Kaiak, Journal of Philosophy, 2021), No More and Less: The Withdrawal of Speculation, (maHKUscript, Journal of Fine Art Research, 2019), Catch | Bounce: Towards a relational ontology of the digital in art practice, (Plymouth University, 2017), catch/bounce: Stack Overflows and Digital Actions.(In Digital Movement. Palgrave MacMillian, 2015). Add to Shopping Basket (ARPA for Transmediale, DE, 2015), Post Screen Not Displayed (Post Screen Festival, PT, 2014) Remembering a Post-Digital Future (ARPA for Transmediale, DE, 2013), Acts of Materiality (Making Futures, Plymouth, UK, 2013).